Abstract

This article addresses the neural factors mobilized in the context of singing performance, listing the potential benefits of the reactive instinct described as “anxiety,” generated as a means of optimizing musical performance; an organic response that, when excessive, becomes a factor that impairs the desired pitch. Moreover, the different mechanisms of physical and psychological harm to which musicians are subjected during and/or as a result of their profession are discussed, as well as possible strategies for mitigating and addressing this reality. Furthermore, it contextualizes the complex neuromotor integration required for singing and possible negative interferences of anxious exacerbation in the outcome of this performance; it also discusses the contrast of anxiety-attenuating performance through listening to music when the situation is different from the musician’s professional practice. Thus, by integrating neuropsychological, physiological, and artistic aspects, this article promotes a multidimensional review of the anxiety on vocal performance impacts, contributing to psychosocial reflections in the music and health field.

Keywords

social anxiety, professional voice, auditory perception, executive functions, occupational health